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While not everyone prefers a Netflix subscription, torrent sites are the go-to places download and stream the content you want to watch. To find the best safe Torrent sites made for you, here is a compilation of the most popular ones this year. The Pirate Bay This Torrent site has been online for 17 years and is still one of the best for Torrent downloads with over 60 million users a month. The website is available in 35 different languages and has held the title of being the best Torrent site since 2018. With a wide range in variety, Pirate Bay's database is uploaded by trusted users, identified using a skull system. Green skulls are the VIP members, pink skulls are trusted and verified users, and lastly, blue skull users who help to keep the site safe from spam and malware. Most torrents here have a few seeders for faster downloads, with filtered searches according to format, quality, and gaming console. YTS.mx This site is an unofficial successor of YTS and YIFY group, which had closed down a few years ago. Faced with several lawsuits, the operator signed a consent judgment and agreed to hand over user data. Consequently, YTS users received settlement requests or were sued. The site offers the latest premium quality movies for download and has around 75 million users worldwide. The site has 30,000 titles, most with subtitles included and available in 1080p. Music, software, and games are not available on this site. 1337x 1337x is a well-known site with 53 million monthly users and high-quality torrents, including movies, TV shows, music, and some games. The website interface is simple and provides all the essential technical information about the torrent video. The active community of the platform updates the torrents every few hours. The site has few ads and shows some effort in protecting user privacy, however that doesn't eliminate the risk of third parties spying on user activity online. Torrentz2 This site is a torrent search engine that uses your keywords to give you an index of all the torrent sites that will have them available. Torrentz2 is a great place to find content that may not be available on other sites. Once the search engine provides results, you can click on the site and begin downloading by clicking on the magnetic link again. The site has an extensive music library collection across different genres. However, it has a lot of pop-up ads with fake misleading links and content, while the site has tried to fix a lot of bugs to make the site safer. Lime Torrents Lime Torrents has around 10 million torrents media on its website, attracting 20 million users every month. Its library is larger than that of Pirate Bay, with music, movies, TV shows, games, apps, with a feature to view the top 100 for each category. The top 100 are a list of new releases, most of them under copyright. You can use the public domain to download torrents safely, allowing torrents to be filtered according to their health and verification status. However, most of these are fake, and the site is crowded with annoying pop-up ads as well.

Amazon Prime and Netflix launched their services together in Pakistan in 2016. However Netflix amassed a following while Amazon Prime is struggling. While the two competitive sites are unique in the content available for streaming, Netflix has somehow captured greater audiences in comparison to Amazon Prime. Here we evaluate both the streaming sites, in terms of content available, subscription, services, and features available for users, to decide if Netflix really is the best of the two. Content Netflix has a range of Hollywood, Bollywood, and Lollywood movies, documentaries, and TV shows available for streaming. Their Netflix Originals have become quite popular with people, especially, Stranger Things, Queen's Gambit, Squid Game, Money Heist, Sacred Games, and House of Secrets: The Burari deaths. Such content is anticipated by viewers and has compelled many non-users to subscribe to the site and binge-watch all the popular content. The content quality of Netflix has only ever been beaten by HBO, which released the popular show Game of Thrones. Unfortunately, HBO Max has yet to launch in Pakistan. Netflix is also a bit slow in licensing content of new season releases and is usually a season behind. While Netflix may have content in every genre, Amazon Prime has a much greater library of more than 24000 movies and 2100 TV shows. Most of Amazon's content is recognizable but older Hollywood films. Recently, however, the streaming site has acquired the franchise of other popular content like James Bond, Rocky, and the famous The Handmaid's Tale. Its Orignal production content is unique and has caught the eye of many audiences most notably, Fleabag, The Man in the High Castle, and Jack Ryan. Amazon lets you buy new episodes of shows right after its initial broadcast, a feature that Netflix clearly lacks. The site also provides access to some HBO content like The Wire, The Sopranos, and Succession. Subscription Cost Netflix reduced its monthly subscription charges in October this year by PKR 400. The standard plan is PKR 800 and the Premium plan is now Rs. 1100. The site's Mobile and the Basic plan is also PKR 250 and PKR 450. The standard plan allows two streaming screens, two devices to download content, unlimited access to movies and TV shows, streaming in HD, and access on all devices. The Premium plan has an addition of letting users access four screens at the same time, with four devices to download content and streaming in ultra HD, HDR, and Dolby Atmos. Amazon Prime has a basic simple subscription fee of $5.99 which is around Rs. 1075 ($1=179.47), which is slightly pricey than Netflix. To subscribe you will need a Master or Visa card, but the plan will give you access to stream on three different devices. You can download your favorite content and stream offline on any device as well. Prime supports videos in 4K, Ultra HD, HDR, and Dolby Atmos. If you get an Amazon Prime membership, you can get access to Amazon Prime Video, access Amazon Music service, and earn some shopping benefits as well. Device Support Netflix allows support to most of all devices for streaming content including, web browsers on Mac or PC, Apple TV, Amazon's Fire TV, and its devices, iOS, Android, Windows phone, Xbox One, and Series X, Xbox 360, PlayStation 3, Nintendo Wii U, Nintendo 3DS Blue-ray players, smart TV, and Google's Chromecast. Amazon Prime is supported on all of the devices like Netflix, except Windows phone and Nintendo 3DS. Audio and Video experience Netflix has a consistent interface with minor changes varying in different devices, while users get their own different profiles each with its own tailored recommendations, while the Kids profile, ensures all PG-rated content is not displayed. The video streaming site also adjusts the level of video compression according to user's internet connection speed. Amazon Prime's interface is a bit difficult to navigate, different in each device in style and usability. If using the web, the site is presented as a section of the Amazon store. On Prime, users can add up to six profiles, though the recommendation window isn't as sophisticated as Netflix. Video quality is quite remarkable, allowing content to be streamed in 4K with HDR, and Dolby Atmos, when available and without an additional fee. Soundtracks are offered in Dolby 5.1 surround. In terms of ease price and content, there is no doubt that Netflix has emerged as the winner. Amazon Prime will need to offer better content and provide much ease in the navigation of the app and better pricing plans, to be seen as a threat to Netflix.

Minister for Information and Broadcasting Marriyum Aurangzeb on Saturday said that the Film and Culture Policy 2018 has been revived to uplift the industry through multiple incentives. Marriyum made the announcement in a meeting with the delegation of the Film Producers Association. She also informed them about the steps being taken by the government for the revival of the film industry. “Recommendations for the revival of industry would soon be formulated after consulting the stakeholders of film and culture sectors,” she said, assuring the delegation that those recommendations would soon be presented before Prime Minister Shehbaz Sharif and made part of the next budget. The minister said Punjabi movies were the country’s asset and their production would be increased under the new policy. Special incentives would be given for the preparation of the content related to children especially movies, cartoons, plays, stories and educational programmes. Read more: Govt believes in freedom of press, Marriyum assures CPNE She said that the film sector was being given the status of industry to offer it maximum incentives. The new policy was aimed at improving the quality, story and technology of movies. Marriyum said that the policy would not only ensure the revival of cinemas through the construction of new facilities but would also include incentives for the artists. She said that the price of tickets for movies in cinemas would be reduced to provide maximum recreational opportunities to the people. The process for giving the permits of film shooting would also be eased. Marriyum said the government would encourage the export of Pakistani movies and create opportunities for promoting joint productions. She said there was a dire need of improving the standard of Pakistani movies and underlined the importance of equipping this sector with modern technologies. Also read: Imran trying to 'kill' political opponents: Marriyum She said that the government would cooperate with the industry for importing the film-making equipment and machinery. The delegation was assured that the demand for abolishing the withholding tax on the film industry would be considered and taken up at the relevant forum. Film, drama, theatre and fine arts could play a critical role in improving the country’s image at international level, she remarked, adding that the unrest and intolerance were never acceptable traits in Pakistani society. She said that film, drama and fine arts were akin to the literary, moral and traditional life of the society. “The soul of our society would be revived,” the minister assured the association of full support for resolving their problems. Sayed Noor, Sheikh Amjad Rashid, Pir Saad and others were also part of the delegation which called on the minister.

For much of the 2018-19 season, Real Madrid’s campaign has been driven by pessimism and trepidation. From mediocre performances on the field to a lack of purpose off it, the Los Blancos found themselves entrenched in a diatribe with a swathe of negative opinions from fans and critics alike. But the return of the clubs’s favourite son Zinedine Zidane after his dignified exit nine months ago has cut through all the noise, at least for the time being. Zizou’s work is cut out for him as the rebuilding job at a club like Real Madrid, with extremely high expectations, won’t be an easy task by any stretch of the imagination. https://twitter.com/kevinchimuka/status/1113392173150502914 However, unlike towards the end of his last tenure, Zidane will have financial backing from the club. A report from The Independent claimed “Real Madrid president Florentino Perez has promised Zidane an expensive overhaul,” immediately after the Frenchman’s arrival. A few days later L’Equipe’s front page (titled Casino Royal) stated that: “Perez is ready to show faith in Zidane to turn the ship around by giving him a €500 million summer budget.” If Madrid are keen on spending heavily in the upcoming summer transfer window, they will have to do it wisely, bearing in mind their current expectations and without compromising future ambitions. Defence Real Madrid’s defence is, arguably, the least concerning aspect of their squad. Sergio Ramos and Raphael Varane might not have had the best of seasons, but they still form a formidable pairing in the centre of defence. But with Ramos aging and especially if Varane decides to leave, Madrid would need adequate replacements in order to beef up their backline options. Looking at the options, three names stand out in particular. These include Napoli’s Kalidou Koulibaly (27), Inter Milan’s Milan Skriniar (24) and Ajax’s Matthijs de Ligt (19). [caption id="" align="alignnone" width="600"] Kalidou Koulibaly during the Serie A match between US Sassuolo and SSC Napoli at Mapei Stadium - Citta' del Tricolore on March 10, 2019 in Reggio nell'Emilia, Italy. Photo: Getty[/caption] All three have no obvious weaknesses and possess the ideal skill set expected from a defender (strength, positioning and ball playing skills), supplemented by the fact that they are young enough to be part of the club for a very long time. While Madrid would be happy to bring in any one of these players, Skriniar would be cheaper as compared to the other two, considering the absence of a release clause in his contract with Inter. [caption id="" align="alignnone" width="600"] Milan Skriniar of FC Internazionale competes for the ball with Danny da Costa of Eintracht Frankfurt during the UEFA Europa League Round of 16 Second Leg match between FC Internazionale and Eintracht Frankfurt at San Siro on March 14, 2019 in Milan, Italy. Photo: Getty[/caption] The 24-year-old also offers an added dimension of having played as a defensive midfielder with the Slovakian national side, and consequently can provide cover on two positions while also aiding in-game tactical switch. Midfielders Real Madrid have a substantial amount of talent in the centre of the park, with an impressive blend of young (Marcos Llorente, Fede Valverde and Dani Ceballos) and experienced players (Luka Modric, Toni Kroos and Casemiro). In order to cater to an aging Modric and take off pressure from Kroos, Madrid need a couple of additions to their midfield. However, they don’t need to spend heavily in this regard as the players they have loaned out – James Rodriguez to Bayern Munich and Mateo Kovacic to Chelsea – will be ideal suitors. Rodriguez’s incisiveness in the final third, both in open play and dead ball situations, will add creativity in central positions. This is of particular importance because a majority of Madrid’s attacks are wing-based, which is why the Colombian’s presence will stretch opposing defences and bring more unpredictability going forward. Also, through his quotes in the press, the midfielder has also indicated that there is no love lost between him and the Spanish giants, despite being left frustrated for playing time under Zidane previously. [caption id="" align="alignnone" width="600"] James Rodriguez of FC Bayern Muenchen controls the ball during the Bundesliga match between FC Bayern Muenchen and 1. FSV Mainz 05 at Allianz Arena on March 17, 2019 in Munich, Germany. Photo: Getty[/caption] Kovacic might not have had the best of seasons at Chelsea, but he can still play a vital role in The Whites midfield with his ability to play line-breaking passes; a trait which is of pivotal importance, especially against many La Liga sides who like to sit deep and defend. Also, the Croatian’s best time in Madrid colours came while playing under Zizou, which makes a strong case of having him back in the Spanish capital. [caption id="" align="alignnone" width="600"] Mateo Kovacic of Chelsea in action during the FA Cup Fifth Round match between Chelsea and Manchester United at Stamford Bridge on February 18, 2019 in London, United Kingdom. Photo: Getty[/caption] Forwards Ever since the departure of club legend Cristiano Ronaldo, the talk surrounding Real Madrid’s attacking pedigree has shown no signs of subsiding. Since the departure of the Portuguese, the goals have significantly dried up for the Los Blancos and hence the need for some clinical finishers in front of the goal is, probably, more than ever. Talking about forwards, one player that has constantly been linked with Real Madrid is Chelsea’s Eden Hazard. Although there is no doubt about the Belgium international’s footballing prowess and he will also be a seamless fit at Real, signing him now, at the age of 28, would mean the club shelling a lot of money in return for only two to three peak years. While it would be unfair to totally rule out a move, the club should only consider Hazard as a fall-back option. [caption id="" align="alignnone" width="600"] 31st March 2019, Cardiff City Stadium, Cardiff, Wales; EPL Premier League football, Cardiff City versus Chelsea; Eden Hazard of Chelsea looks back at a missed chance. Photo: Getty[/caption] Moving on, Paris Saint-Germain’s (PSG) Kylian Mbappe, despite being an ideal solution to Real Madrid’s goal scoring troubles, is a long shot considering his massive price tag. Although there are plenty of rumours in the transfer market regarding his move to Spain, the French club will go all out to keep the 20-year-old star at the club, keeping in mind the fact that he is at the core of their European ambitions. [caption id="" align="alignnone" width="600"] Kylian Mbappe of PSG celebrates a goal during the Ligue 1 match between Paris Saint Germain and Guingamp at Parc des Princes on January 19, 2019 in Paris, France. Photo: Getty[/caption] Taking into account all the factors and realistic options available on the market, Real Madrid will be better off if they work on the lines of signing Liverpool’s Sadio Mane and Inter Milan’s Mauro Icardi. Mane’s pace and technical ability has been part and parcel of Liverpool’s success in the past couple of seasons, and he will add a lot of potency to Real Madrid’s attack. Although he has played mostly as a winger for The Reds, if need be, he can play in a more central role as a striker as well. In Mane, Madrid will find a willing worker, who can track back and help out with defence and also link up well with Marcelo Vieira on the left wing. [caption id="" align="alignnone" width="600"] Sadio Mane of Liverpool FC runs with the ball during the Premier League match between Liverpool FC and Tottenham Hotspur at Anfield on March 31, 2019 in Liverpool, United Kingdom. Photo: Getty[/caption] On the other hand, Icardi has stacked up some great numbers for his Italian club with his lethal finishing. He may not participate much in build-up play but his positioning and movement in front of the goal is particularly impressive. Real Madrid have been guilty of creating lots of chances but not converting them during the ongoing season, but Icardi’s signing should go a long way in changing that. [caption id="" align="alignnone" width="600"] Mauro Icardi of FC Internazionale scores the second goal during the Serie A match betweenGenoa CFC and FC Internazionale at Stadio Luigi Ferraris on April 3, 2019 in Genoa, Italy. Photo: Getty[/caption] To Madrid and Zidane’s advantage, being knocked out of the title race on all fronts is somewhat a blessing in disguise, as it gives them additional time to plan for the future. But the 13-time European Champions will have to be clever with the way they go about their business in the transfer market, before it builds up more scar tissue against their name as a formidable force in the world of football.

The United States has introduced a United Nations Security Council (UNSC) resolution to blacklist Masood Azhar as an international terrorist. Azhar is the leader of Jaish-e-Mohammed (banned in Pakistan since 2002) and has been blamed by India for masterminding February’s Pulwama incident, even though no evidence has been produced which links Azhar to the incident. China has refused to list Azhar as an international terrorist after careful consideration of the definition of international terrorism according to international law. China has made this position absolutely clear and as such, it would appear that the US is looking to transform the UNSC into a place of high stakes geopolitical theatre, because China’s veto of the US resolution is inevitable. The US therefore is using the internationally immaterial issue of Azhar in order to provoke tensions between China and India at a time when the ruling Bharatiya Janata Party (BJP) is already invoking blood-curdling Sinophobia in further attempts to rally the jingoist Hindutva vote. But this is not all that the US is doing. Washington is also provoking and in fact insulting Pakistan by suggesting that a local matter is worthy of wasting the UN’s time, even after one of the permanent members of the Security Council has made its position unambiguous. As if on cue, India’s jingoistic media kicked into high gear suggesting war against China. Meanwhile, members of the BJP and the Rashtriya Swayamsevak Sangh (RSS) continue to call for a boycotting of Chinese goods. When it comes to Pakistan however, America’s willingness to inflate the international importance of Azhar makes it clear that the US is willing to risk productive relations with Pakistan in order to both placate India and to goad India into an even more extreme position vis-a-vis China (not that the BJP needs much help in this respect). Although the US has admitted that Pakistan’s role in the Afghan peace process is crucial, beyond this, the US has clearly made its decision in terms of a long term strategy in South Asia. While some US diplomats will feign attempts at a balanced South Asia policy, the reality is that India is now a key US strategic partner. US diplomats at the UN will happily do India’s bidding, even over a matter as absurd as trying to convince the world that Azhar is an international terrorist when legal precedent says otherwise. Pakistan must adjust its own expectations accordingly. While it would be imprudent for Pakistan to provoke any superpower, the message that Washington is not so subtly sending is that when it comes to a superpower partner, China is the singular key to Pakistan’s prosperous future, while the US is becoming little more than a puppet master helping direct flagrant Indian aggression against China. This is all the more reason for Pakistan to take a more assertive role in the Afghan peace process. As the country most directly affected by Afghanistan’s prolonged status as a failed state, Pakistan has no excuse not to emerge as an international leader in driving forward an all-parties peace process. Any idea that Pakistan should merely shadow the US in respect of the peace process should now be put to rest, as it is clear that the US has India’s strategic desires at heart and that, by comparison, Pakistan’s security needs come a very distant second or even third. The reality Pakistan must now face is that whilst America’s priorities in the South Asia during the 80’s related to containing Afghanistan to the West and the Soviet Union to the North, today the US is squarely focused on provoking China and for this, India will remain a key ally of Washington. All that Pakistan must now do is acclimate itself to a new reality where China’s all-weather friendship will grow in stature and material importance while the US will be willing to insult, debase and ignore Pakistan as though the events of the 80’s never occurred. This post was originally published here.

Following the Marvel path, The Conjuring universe has grown steadily over the last six years through both, the increasing returns that most films in the franchise have delivered and in stature through the critical acclaim that the first two Conjuring movies received. Now five movies in, the franchise is showing no signs of slowing down with a third Conjuring film already set for 2020. But before that, we’re getting another Annabelle movie. And this one promises to be much different than its predecessors. [caption id="attachment_81026" align="alignnone" width="600"] Photo: IMDb[/caption] Annabelle Comes Home, which will serve as the sixth film in the Conjuring franchise and the third Annabelle film, does not take the prequel route like Annabelle: Creation did. Unlike the first Annabelle, which was widely panned for being a rudderless and aimless production, this film shifts the focus directly towards the Warren family – the paranormal investigators played by Patrick Wilson and Vera Farmiga who served as the protagonists of the first two Conjuring films. [caption id="attachment_81027" align="alignnone" width="600"] Photo: IMDb[/caption] The first trailer, which came out recently, sprinkles a handful of jump-scares throughout its two and a half minute runtime and the film more or less appears to centre on an artefact room where the Warrens keep the demonic doll. However, soon enough the doll begins turning up in strange places and much to the surprise of the Warrens, so do the other artefacts. The weight of this is felt by the Warren’s 10-year-old daughter, Judy, and her friends who seem to be at the centre of the latest Conjuring film. [caption id="attachment_81024" align="alignnone" width="598"] Photo: IMDb[/caption] By all accounts, Annabelle Comes Home seems like a much more small-scale film as compared to its predecessors which were much more expansive in scope. And though the Warrens are back, they don’t seem to have a central role in the film in the same way as their daughter does. This is promising because it means that perhaps this time the focus will be on a tightly-constructed narrative, which is where horror films work best. [caption id="" align="alignnone" width="600"] Photo: Screenshot[/caption] As evidenced by the trailer, it’s perhaps also safe to assume that this film won’t just be about the titular doll but will also focus on some of the other haunted artefacts in the Warren family’s possession which, if anything, may provide the producers with a few more ideas for some future spin-offs. In the context of this film though, it will undoubtedly add to the scares. This is something that producer James Wan has confirmed when he essentially described the film as being Night at the Museum with an evil doll because of the various haunted artefacts that will be activated in the film. [caption id="attachment_81031" align="alignnone" width="600"] Photo: IMDb[/caption] The good thing is that Annabelle Comes Home seems to channel all the elements that have made the Conjuring franchise such a big success, which provides the viewer with something to look forward to. After straying away from the central narrative and focusing on aimless origin stories, the franchise seems to have finally learned its lesson. With Annabelle Comes Home, the focus seems to have been shifted back towards the scares and, in a blatant but smart bit of fan-service, the filmmakers have brought back two of the franchise’s most beloved characters, even if it’s in a supporting capacity. That said, only time will tell if the latest installment in the Annabelle saga matches up to the Conjuring movies, which at present, stand head and shoulders above the other films in the franchise. [caption id="" align="alignnone" width="600"] Photo: Screenshot[/caption] Annabelle Comes Home hits cinemas on June 28, 2019.

“Our message is stronger than ever. Please stop the fighting. Please stop the killing. Please drop your guns.” Juan Antonio Samaranch, President International Olympic Committee speaking at the Winter Olympics, 1994. The sports arena has often been used in modern-day diplomacy to advocate for peace, but it has also been used to aggravate existing conflict. George Orwell wrote in The Sporting Spirit (1945) that sports is “war, minus the shooting” and has the potential to bring out the worst characteristics of nationalism. How that is controlled, or even amplified, is in the hands of those who hold the political controls. In the days following the Pulwama incident, tensions once again began to escalate between Pakistan and India. While India’s very first reaction was the imposition of a heavy economic sanction, many of the responses which followed came in the form of sports sanctions, primarily impacting something very close to the hearts of people on both sides: cricket. The fourth edition of the Pakistan Super League (PSL) became the primary target of the increasing hostility and vitriol. Prominent Indian-owned media companies and broadcasters, including IMG Reliance, D Sports and CricBuzz, terminated their contracts and coverage of the tournament, leading to a virtual PSL blackout in India. The Board of Control for Cricket in India (BCCI) also came under extraordinary pressure from prominent Indian sporting personalities, media outlets and ordinary citizens, to boycott the upcoming Pakistan-India match at the cricket World Cup (June 2019). https://twitter.com/YusufDFI/status/1097384109200928768 https://twitter.com/MinhazMerchant/status/1099007211689467906 Outside of cricket, other sports have also been effected. It is suggested that Pakistan supplies 90% of the hockey sticks used in India, and would suffer heavily from an increase in customs duty of 200%. As a result, the hockey fraternity in India would have to quickly find new suppliers who could match the demand, as well as replicate the quality from across the border. The Shooting World Cup, which was taking place in New Delhi a week after the attack and was intended to be an Olympic qualifier, also got dragged into the conflict when Pakistani athletes were not granted visas to participate in the tournament. Further economic sanctions would come later, followed by military responses, but it appears that the use of sports sanctions was going to kick start this ‘Operation Isolation’. However, these sanctions did not prove to be effective in isolating Pakistan on the sports field. We saw the PSL replace its distributors almost immediately and have yet another successful edition. Regarding the World Cup, wide coverage of the discussions between the BCCI and the International Cricket Council (ICC) were made public, including copies of the communication between the two bodies. It is clear that the ICC and the organising team of the World Cup do not condone any political battles being played out on the cricket pitch. https://twitter.com/TimesNow/status/1098065107693625344 Perhaps the most surprising stance came from the International Olympic Committee (IOC) in response to Pakistan’s plea regarding the Shooting World Cup. Not only did the IOC revoke the tournament of its Olympic qualification status for the particular discipline, they further went onto suspend all discussions with the Indian government regarding hosting future sporting events in India. The IOC also recommended that all international federations should refrain from hosting any international sporting events in India until written guarantees are provided assuring participation of all athletes. This may prove to be a landmark ruling from the Olympic governing body, which has traditionally not taken such a publicly strong stance on political matters. This is especially true as the initial plea was only to do with the shooting event. However, India is no doubt going to work to revoke this suspension as quickly as possible, even if it means salvaging its ties with Pakistan. Failure to do so could mean that a number of its hosting rights and bids would be up on the chopping block, including the FIFA Under-20 Women’s World Cup (2020), the Hockey World Cup (2022/2023) and ICC Cricket World Cup (2023), among others. https://twitter.com/mehreenzahra/status/1098830460862558208?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1098830460862558208&ref_url=https%3A%2F%2Fblogsdesk.tribune.com.pk%2Fapplication%2Fwp-admin%2Fpost.php%3Fpost%3D80906%26action%3Dedit This of course is not the first time tensions have escalated between the two neighbours, nor is it the first time that the field of play is used for sanctions to be deployed and political statements to be made. India-Pakistan cricket relations have been turbulent ever since they kicked off in 1952. There have been many positive outcomes where both countries have hosted each other on multiple occasions and opened up their borders for citizens to travel in support of their teams. At the same time, boycotts from governing bodies and protests from ordinary citizens have also had the opposite impact on cricket and other sporting ties between the two nations. The Indian cricket tour to Pakistan (2004) is considered as one of the four most prominent acts of sports diplomacy, with the ‘Christmas Truce’ of World War I (1914), where German and British soldiers were said to have held informal sessions of casual football on Christmas day, being number one. Even outside of the subcontinent, sports have always been a feature of international diplomacy, albeit a more subtle one. We have seen countless protests and boycotts when it comes to international sports, such as the Black Power Salute (at the 1968 Olympics), America’s boycott of the 1980 Olympics during the Cold War, the Soviet Union’s boycott of the 1984 Olympics, and the international sporting boycott of Apartheid South Africa. However, it would not have been difficult to foresee the potential for sports to have these impacts when the Olympic movement was first initiated. After all, it was developed on the sole idea of using sports to encourage and improve peace among the warring kingdoms in Ancient Greece. The way international sports are conducted and covered today, indicates their potential and ability to bridge gaps between nations. With massive potential to be used as a catalyst in international diplomacy and break barriers, the power of sports can only be as strong as the will and commitment of our global leaders. In an era where hard power is frowned upon by the international community, governments are increasingly inclined to use alternative modes of diplomacy, sports included, to achieve their political goals and shape their international image. If we, the people, can understand the relationship between the two, then we can also influence its impact. This isn’t the first time sports have been used to convey and act upon undertones of conflict and hate, and it unfortunately won’t be the last. For now, we can be aware of how these actions relating to the field of play can be used to condition or influence certain emotions within us, and also pray that our leaders use the pitches and courts to help us come together, rather than to push us apart.

The sky was a pool of black ink, dusted with stars at midnight. Arsh looked out from the window — she saw many little streets sprawled out below. She had only known these streets from inside the walls of her room. She had never walked on them. She had never been under the open sky. She looked at these streets longingly. To her, these streets and everything else of the outside world was a distant dream. Arsh was thinking about him. He came again tonight. Her caramel skin flushed bright pink as he folded her into his arms. Her heart fluttered as his fingertips grazed her bare skin. She had never felt so close to a man before. Over the years, many men held her, touched her, felt her — but he was different from all the others. She fell in love with him. She waited for him each night. She longed for him, as any lover would. On the nights he didn’t come, she was restless. She waited for him till she saw him next, till he told her how beautiful she was. As she stood by the window and watched darkness engulf the sky, she decided she’d tell him what she felt for him. Maybe he’d take her away somewhere far. Maybe he’d relieve her of this life. Overhead, a star blinked in the dark sky, as if telling her it was time. The morning sun filled the brothel. It was bright inside. Arsh slipped into plain white clothes and went downstairs. The morning is always bright. It’s the night that’s dark. It’s always the night that’s dark. “Arsh!” Farnaz called, with a cigarette clenched in the corner of her mouth. “You look happy! I’ve never seen a bigger smile on your face.” “I’m going away,” Arsh said in low voice, so that nobody else could hear. Farnaz laughed. But then her eyes were suddenly wide with concern, and her skin shone pale under the gleam of sunlight. “You know you can’t go away,” Farnaz said quietly. Arsh smiled in reply and bustled away. The rest of the day, she was tangled in her thoughts. She didn’t even know his name but she knew he was the one who’d save her. The world glittered with promise. “Take me away!” Arsh whispered into his ear. There was a steely glint in his eyes. “Please take me away!” Arsh’s voice crackled at the edges. He slapped her so hard her teeth rattled. “You’re a whore,” he spat. Arsh swallowed everything else that she had to say. The words dried up in her throat. It was near dawn but Arsh was wide awake. She looked into the mirror, her dark eyes sunken in an ashen face, stared back at her. Her lips were stained in a dark, blood-like red. Her hair, black and velvety like the sky at midnight, carelessly tumbled down her back. Her angarkha, heavily embroidered in gold and silver threads, danced around her when she moved. 'A whore,' she thought. She felt sparks of resentment cascading in her as she looked at herself. She felt angry. But then her anger melted and she started crying. And as a tear caught in her lip, she realised her lipstick was smudged at the corners. His words filled her head. They were sharp, piercing—they cut through her like knives. Even after he left, the word ‘whore’ twisted inside her. It crushed her. It tinted her entire existence. It was a small word but it encompassed a bitter world — a whore’s world. Arsh had endured years of abuse. There were different men in her bed each night. They treated her like an object. They used her and then discarded her. She was perceived as an unthinking, unfeeling being. Her existence only sparkled in the dark hours of the night. They forgot she was human too. She looked at the faded sky from the window. She spread out her hand towards the sky, trying to reach for it. It was close but far away. Maybe just like the man who she thought would save her. Khudkushi (suicide). The word echoed against the big, bare walls of the brothel. Its weight settled on all women who lived inside. It grew heavier and heavier, thicker and thicker, folding them in, needling them all over. It hung in the air, sharp and poisonous. 'Khudkushi,' they murmured in small voices, afraid not to say it out too loud. They didn’t want anyone else to hear. A silence spread in the brothel, full of fear and anticipation. It was suddenly dark inside, and empty despite the people. Outside, the day shifted from morning to night. And the air smelled of earth and ash and rain. And faintly of death. Arsh took away her life. She cut her wrists and bled to death. For her, death wasn’t just an end—it held meaning. It meant freedom. It meant floating somewhere far, untethered. It meant relief from a corseted existence. Khudkushi became Arsh’s freedom. She finally fled from a life she did not want to live.

I was recently invited to a trip to Iran and Iraq by a group of close friends from Lahore, and as I had never been to these states before, I decided to take the opportunity to visit the shrines frequented mostly by Shia pilgrims. After all, how else was I going to be able to travel through war-torn Iraq (where the Islamic State has only recently been defeated) and gain access to the heavily sanctioned country of Iran? Mesopotamia – the cradle of civilisation and home to many Imams of the Islamic world – has been off-limits to most ordinary tourists since the days of Saddam Hussein. We took off from Lahore and a few hours later found ourselves landing in Baghdad, the famed city of The Arabian Nights. The airport was small and run-down, and we had to wait for at least two to three hours for our group visa to be cleared. We waited patiently and entered Baghdad at dusk; there were palm trees galore and the roads were smooth enough. Our excitement was mounting as we headed straight for the illuminating shrine of Ghous Pak (Sheikh Abdul Qadir Jilani). We paid our respects at the beautifully lit white shrine, ate the delicious langar (communal meal) of rice and chicken (provided by a Pakistani family from Faisalabad) and then headed to our hotel. We felt more than welcomed to a city founded on the west bank of the Tigris in 762AD by the Abbasid dynasty. [caption id="" align="alignnone" width="600"] The beautifully illuminated shrine of Ghous Pak[/caption] [caption id="" align="alignnone" width="450"] The door to his shrine[/caption] [caption id="" align="alignnone" width="419"] His final resting place[/caption] We stayed at Hotel Palestine, which is located near the ancient Tigris River, with a colourful history of its own; it was a favourite among foreign journalists during the Gulf wars and had been shelled! [caption id="" align="alignnone" width="600"] View of the Tigris River from Hotel Palestine[/caption] There are roadblocks all over Iraq and paramilitary forces with armoured vehicles can be seen on all major roundabouts. The receptionist at our hotel smiled and clapped joyfully when she discovered we were Pakistani and gave us comfortable rooms (our recent military standoff seems to have made them happy). Baghdad looks like it is stuck in an 80's time warp – the buildings all seem to be from that era. However, most of the debris from the bombed-out infrastructure has been removed. We found it to be a bustling city with crowded restaurants and bad traffic jams. We crossed the Tigris River many times, the last one being to visit the shrine of Persian mystic Mansur al Hallaj. He is known for his saying, “I am the Truth”, which many saw as a claim to divinity resulting in his execution, while others saw it as an instance of annihilation of the ego. [caption id="" align="alignnone" width="450"] The tomb of the Persian mystic[/caption] We also visited the burial place of Abu Hanifa, the founder of the Hanafi school of Sunni jurisprudence. However, the highlight of our Baghdad stay was the visit to the north of the city to Kazmain, where Imams Musa al Kazim (AS) and Muhammad al Jawad (AS), both direct descendants of the Prophet (PBUH), are buried. [caption id="" align="alignnone" width="600"] Outside the Ziyarat of the Kazmain Imams in Baghdad[/caption] This is a world famous shrine and one of the most important mosques in the Islamic world, with a huge gilded dome and four minarets rising above its courtyard, all covered with gold, Kufic inscriptions. There are canopied balconies, mirror mosaics, glazed tiles, and endless floors of marble. The final resting places of all the Imams buried in Iraq, we were to discover, were equally awe-inspiring. The shrine was very crowded during our visit and there was a long walk to it as it has been bombed in the past, which is why the nearby streets had been cordoned off. [caption id="" align="alignnone" width="600"] Armoured vehicles and soldiers guarding shrines are a common sight in Baghdad[/caption] The other highlight of our Baghdad visit was to the 2,000-year-old Persian monument Taq Kasra, or Arch of Ctesiphon, the world’s largest brick vault. Somehow it has survived all the recent wars and is truly a sight to see, given its immense scale and elegance. Taq Kasra is located near the shrine of Salman al Farsi (RA), a companion of the Prophet Muhammad (PBUH) and the first Persian to convert to Islam. [caption id="" align="alignnone" width="450"] Taq Kasra[/caption] On our last day in Baghdad, we headed to the ancient town of Samarra to visit the 10th and 11th Imams, Ali al Hadi (AS) and his son Hasan al Askari (AS). Both are buried in a heavily-guarded shrine, which has been bombed twice in recent years and had to be rebuilt. Adjacent to the mosque is another domed building built over the cistern where the 12th Imam, Muhammad al Mahdi (AS), disappeared; hence the title of the Mahdi, the Hidden Imam. [caption id="" align="alignnone" width="600"] The last place Imam Mahdi was seen[/caption] We were sorry to leave Baghdad – there was much to see and such little time – but we had to move on to Karbala, where rain greeted us. Powerful energy emanates from this city, the burial place of Imam Hussain (RA), the grandson of Prophet Muhammad (PBUH), near the place where he was martyred during the Battle of Karbala in 680AD. Within the shrine of Imam Hussain (RA), we found the mass grave of all 72 martyrs of Karbala who fought and died alongside him, despite the heavy odds they faced. We soon joined the thousands of people jostling to enter the Ziyarat. Opposite is the shrine of his brother, Hazrat Abbas (AS), who was also martyred during the Battle of Karbala by Yazid’s men while bringing some water from the Euphrates River for the Prophet’s (PBUH) family. There is a lovely walkway lined with palm trees between the two shrines, and we often went there to sit and pray as our hotel was nearby. [caption id="" align="alignnone" width="600"] Hazrat Abbas (AS) shrine glistening as the sun sets in Karbala with the walkway in front[/caption] Our next stop was Najaf, and luckily our hotel was located right next to my favourite Ziyarat: Imam Ali’s (RA) resplendent shrine. He is considered the father of Sufism, as almost all Sufi orders claim their descent from him. [caption id="" align="alignnone" width="450"] Imam Ali's (RA) shrine in Najaf[/caption] [caption id="" align="alignnone" width="450"] The entrance to the shrine[/caption] After visiting his peaceful shrine, we went to Kufa to see the great mosque, one of the oldest in the world, where Hazrat Ali (RA) was struck by a poisoned sword and passed away after two days. We visited his simple but elegant house next to the mosque (thankfully preserved by the Iraqi government) where his body was washed before being buried in secret. Imam Ali (RA) had earlier dug a well in his house and even today one can drink its healing waters. [caption id="" align="alignnone" width="600"] The Great Mosque of Kufa[/caption] [caption id="" align="alignnone" width="600"] The house in Kufa has been preserved by the Iraqi government[/caption] Our final stop was the city of Mashad in Iran, home of the eighth Imam, Hazrat Ali Reza (AS), whose shrine is really the heart of the city – all roads lead to his Ziyarat! We took a short flight from Najaf to Mashad, which is the second most populous city in Iran. Mashad means the place of martyrdom; Imam Reza (AS) was poisoned by Caliph al Ma’mun. A fact I learned during my journey is that none of the Imams lived to an old age – all were poisoned or assassinated. Imam Reza’s (AS) ornate shrine is enormous, with its many courtyards and mosques, and is considered the Vatican of Iran, run in an efficient and orderly manner. It is also gorgeous, with its Persian carpets and crystal chandeliers galore. We were lucky enough to eat from the shrine’s famous langar and enjoyed the Imam’s hospitality! [caption id="" align="alignnone" width="600"] The underground crypt where people can pray and meditate[/caption] Mashad is a clean, modern city, and feels like it could be anywhere in Europe, except all the women wear long black chadors. Before we knew it, our visit was over, and tired but rejuvenated we found ourselves on the plane back to Lahore. There were so many memories to treasure and so many adventures to retell. Iraq is slowly recovering from war and getting back on its feet, and I would recommend everyone to go visit this fascinating country alongside Iran, regardless of your religious beliefs. As we were told wherever we went, “Ziyarat qubool.” (May your pilgrimage be accepted) (All photos by author)

In the post-modern world, the topography of the city has undergone a drastic shift. Rapid urbanisation and growing job opportunities have resulted in many cities in the developing world being swamped by an increasing number of people coming in from the villages and suburbs. In order to accommodate this burgeoning populace, the intrinsic structure of the modern metropolis has had to evolve. Countries such as India and Pakistan have had to grapple with the dual ambitions of wanting to urbanise their cities while also wanting to hold onto their rich architectural heritage. The complex history of a multi-ethnic country such as Pakistan has been razed to the ground in order to erect soulless towers to replace the colonial monuments which have served as a reminder of our turbulent past. [caption id="attachment_81733" align="alignnone" width="600"] Heritage building encroached on by local traders at Jamia masjid road.[/caption] Rawalpindi is an example of a city wrestling with these two seemingly dichotomous aims. On the outskirts of the Rehmanabad Metro station lie some old houses with large verandas and an edifice which is almost reminiscent of the homes in Downtown Abbey. Erected in the early 1960’s, they adorned the city with their marvellous porticos and the locality came to be known as Satellite Town. During the time that Islamabad was being built as the nation’s new capital, Satellite Town functioned as a diplomatic enclave of sorts, with many embassies located there. The Victorian-style houses were thus built to accommodate foreign dignitaries residing in the city. [caption id="attachment_81748" align="alignnone" width="600"] A night view of Jamia Masjid Rawalpindi which was founded in 1905.[/caption] Over the years, however, as Islamabad became the diplomatic hub, Satellite Town found itself shrinking in importance, and the neighbourhood was consumed by a city which was expanding at an unprecedented rate. The old houses of the locality now stand like ghostly relics of the past. [caption id="attachment_81678" align="alignnone" width="452"] Chan bazaar, Rawalpindi.[/caption] [caption id="attachment_81734" align="alignnone" width="450"] A view of Raja Bazaar road.[/caption] In a house on Sadiqabad road lives an old engineer who has closed the gates of his house, along with his heart, to the outside world. The resident is Afzaal Ahmad, a man who comes from a distinguished family of army personnel. While looking at his old photographs, Ahmad recounts: “The Rawalpindi I was raised in was a marvel, an image straight from the British calendars. Smooth clean roads, small markets, coffee shops along with a nice book shop (London Books company), low traffic and an orderly crowd.” [caption id="attachment_81736" align="alignnone" width="600"] The main entrance of the Afzaal Ahmad's house.[/caption] [caption id="attachment_81737" align="alignnone" width="600"] Old magazine ads from the collection of Afzaal Ahmad.[/caption] [caption id="attachment_81745" align="alignnone" width="600"] Rawalpindi's Kashmir Road in the 1960's. From the records of Afzaal Ahmad.[/caption] The markets at the time were quite small and there was only one major road in Saddar at the time, Mall Road, which catered to everyone's needs. Ahmad recalls that the famous road had a hairdresser, a laundry shop and few clothing outlets as well. He adds: “I remember most of my classmates in Station school were British or Anglo-Indians. Anglo-Indians were considered to be the most educated after the British. I still remember this one Anglo-Indian traffic sergeant who used to roam around alone on Murree road. People were so afraid of his discipline that they wouldn’t cross the road until he had gone away.” [caption id="attachment_81738" align="alignnone" width="600"] Backyard of the house.[/caption] [caption id="attachment_81743" align="alignnone" width="600"] An old building occupied by partition migrants in Saddar.[/caption] For Ahmad’s generation, and the ones which followed, things took a downward turn after Zulfiqar Ali Bhutto came to power. Fearing the consequences of nationalisation and increasing religiosity, many foreigners fled the country. The Anglo-Indians too fell prey to this and many migrated to America and Australia. The resultant vacuum gave rise to a new emerging class of locals who had a different mentality. They were hungry to tear down the old to make way for the new. [caption id="attachment_81744" align="alignnone" width="338"] An old temple in miserable condition in Moti Bazaar.[/caption] [caption id="attachment_81749" align="alignnone" width="475"] A name plate outside a house in Dhakki mohallah, Angat Pura.[/caption] Rawalpindi as a city has always had a storied history. Punjab has been ruled by Graeco-Bactrian Kings and later by the Sakas, Iranian nomads, and in 1765 Sardar Gujjar Singh controlled the area which is now called Rawalpindi. The city remained under Sikh rule till 1849 when it was taken over by the British. Hence, this land has had many identities, and one can find linkages to an extraordinary past through the city’s buildings and districts. [caption id="attachment_81679" align="alignnone" width="600"] A view of Moti bazaar, Rawalpindi.[/caption] Despite the removal of the Sikh Raj, the Sikh community remained an integral part of the cultural fabric of Rawalpindi till 1947. Their remnants are still visible in Kartarpura, Angatpura, Arjun Nagar, Mukha Singh state, Old Banni and adjoining areas. The city was predominantly influenced by Rai Bahadur Sujan Singh whose haveli (house) still stands in the old Bhabra Bazaar. Rawalpindi at one point in time was a jewel, a unique blend of both old and new architecture. Over the years, people that have been allotted these vacant properties have damaged them due to sheer negligence, and today these buildings are but a shadowy reflection of their former glory. [caption id="attachment_81739" align="alignnone" width="600"] An old pre-partition haveli in Saidpuri gate trying to save its colors from the wrath of the modern age.[/caption] [caption id="attachment_81741" align="alignnone" width="600"] A colonial style balcony on College Road, where famous Indian actor Balraj Sahini grew up.[/caption] Rawalpindi today is a chaotic labyrinth. Building laws and municipal regulations are virtually non-existent. Politicians and profit-driven land owners have given local municipal authorities the approval to demolish heritage buildings and sites. Commercialisation has trumped heritage. Heretics have squashed history. Rawalpindi still has the potential to become the epicentre of regional heritage, but only if preservation work is begun immediately. Today, the view from the metro bus offers a gloomy look at a frenzied skyline onto a city which does not know what it wants to be because it has forgotten what it once was. (All photos by author)

It had been some time since I cried while reading a book. And A Place for Us changed that. Fatima Farheen Mirza’s dazzling debut novel tells the story of a South Asian Muslim family living in America. The family members find themselves torn between discovering their individual selves, while also grappling with their respective roles within the family. As a result of living in a deeply polarised American society, the characters in the novel are in a constant battle with themselves, their family and the world around them, each looking to find relevance, liberty and peace. Interestingly, one of the main talking points with regards to this book has been Sarah Jessica Parker's involvement in its publication. The Sexy and the City star chose Mirza’s novel as the first book to be published under the Parker imprint for Hogarth publications. A Place for Us begins at the wedding celebrations for the family’s eldest daughter, Hadia, in California. The occasion, however, is made all the more special due to the youngest child and only son, Amar, coming back home after having fled three years ago. The story thus revolves around the circumstances which led to Amar’s estrangement from the family and the narrative is interspersed with memories from the parents, Rafiq and Layla, and their children, Hadia, Huda and Amar. What I found particularly inventive about the narrative was how the story unfolds through the point of view of a host of different characters, with the same memory often being shown through different perspectives. We are thus able to see how the same moment impacted each member of the family in a wholly unique manner. Mirza beautifully brings to light the nature of familial love, which can be limitless and unwavering, but also envious and petty. The depiction often seems like that of a typical diaspora family, with parents trying desperately to instil both Muslim and South Asian values in their children and encouraging them to speak their native language at home. The author explores the subtle dynamics of the household, from the siblings safeguarding each other’s secrets, to the family following Islamic rituals and customs like fasting in the month of Ramazan and observing Muharram. But that’s just the feel-good part of the book. What is heart-wrenching, poignant, and particularly relevant for our part of the world is how Mirza explores the pressure parents tend to put on their children. South Asian parents often have their own expectations from their children, insisting that they must be obedient, unquestioning Muslims and top performing students who go on to become either doctors, engineers, lawyers or entrepreneurs. The novel attempts to illuminate how pitting children against one another, failing to acknowledge past mistakes and the inability to express love can tear a family apart. Hence, when Amar leaves, a part of Rafiq and Layla’s souls also leaves. But by then it’s too late to mend their broken ways. Perhaps the saddest thing in the world is to see your child leave you because of your own mistakes. Not feeling at home with your own family is a tragedy, one which Mirza renders beautifully on the page. And so, I cried when the family was torn apart because of secrets, betrayals, and the smallest of estrangements which could no longer be brushed under the carpet. The last section of the book, told from Rafiq’s perspective, is absolutely devastating. The feelings of an emotionally-reserved father, who falls prey to his own shortcomings, are expressed in a remarkably raw and affecting manner, which is quite an achievement for a debutant writer. Mirza has done a truly commendable job at penning down the story of a family over decades, and it is no surprise that her novel has received great critical acclaim. The recurrent themes of children trying to find their own identity and parents trying to protect and understand their children resonate at a deep level. After this stellar debut, one hopes that Mirza is able to pack the same amount of authenticity into her next novel, one which I am eagerly awaiting.

“My dear Marwan, I look at your profile, In the glow of this three-quarter moon, my boy, Your eyelashes like calligraphy, Closed in guileless sleep. I said to you, ‘Hold my hand. Nothing bad will happen’.” These are a few verses from the context of Sea Prayer, the fourth book by Khaled Hosseini. Hosseini is a well-known author of three books, including the international bestseller The Kite Runner, and is the Goodwill Ambassador to the Office of the United Nations High Commissioner for Refugees (UNHCR). Sea Prayer is a 40-page book, or rather, a free verse poem beautifully complemented by Dan Williams’ illustrations. It can best be described as a small prayer to the sea by a helpless father on a moonlit beach, who is going to cross the Mediterranean with his child as soon as dawn arises but in less than ideal circumstances. The story begins with the remembrance of the happy days spent by the father in Homs, Syria when the city was at peace, with its bustling and crowded lanes and streets. Of a time when the stirring of the olive trees and clanking of pots used to awaken him, and when this city of western Syria was not dismantled by bombs, starvation and death. The father wishes for his son to remember some of the more pleasant memories of Homs. The story has been inspired by the three-year-old Syrian boy Aylan Kurdi, whose body washed up by the sea on the shore of Mediterranean Sea in 2015 as he fled the Syrian War. While talking in an interview, Hosseini became teary-eyed even as he remembered seeing the photograph of Kurdi. “I was gutted,” he says. “I tried to imagine, as a father, what it must be like to see viral photographs of your deceased three-year-old lying face down on the sand at the water’s edge and being lifted into the arms of a stranger.” He also stated, “I hope that this book Sea Prayer is a small tribute not only to his (Kurdi’s) family, but also, on a broader level, I hope it highlights the unthinkable despair that thousands of other ordinary people face every day to abandon home and community and take a chance on this brutal and often lethal journey across the sea.” Hosseini thus pays tribute to Kurdi’s family through his Sea Prayer, while portraying the tragic and wretched condition of millions of refugees all over the world with help of Williams’ illustrations. The beautiful memories of Homs are like a dream now, not only for the son but also for the father. Protests followed by the atmosphere of fear and beleaguerment, the black skies showering bombs and bullets instead of rain, and the sight of living bodies buried under devastated buildings is all that remains in their memories of Homs. In Sea Prayer, Hosseini not only points out the way in which the war imposed by mighty powers upon Syria has destroyed the childhood of millions of innocent kids, but also highlights the emergency and the growing crisis of refugees being forced to leave their homes and approach smugglers in search of safe shelters which are in actuality not safe at all. A heartrending letter from a father to his son provokes in us the thought of the thousands of refugees who risk their lives on the threshold of death every year just in search of shelter, while many of them simply perish at sea without leaving anything behind. Every night they sleep among the remains of human flesh burnt by explosive bombs, with their own bodies stained by blood, dreaming of a better future – a hope for a safe shelter, a desire for a home. Carrying their misfortunes, they are longing for acceptance and searching for a place where they are welcomed. But no one cares. Not even the sea. The sea is deep. It is vast. A large swarm of unwelcomed and unasked bodies of flesh are waiting impatiently at the cold beach for the sun to rise. The father sees his son, his only precious cargo, and tries to console his sleeping being with his words, while praying that the sea knows his worth. It kills him every time he thinks of the depth and vastness of the sea and the helplessness of his own self. At this instant, the mother’s voice comes up: “Oh but if they saw, my darling. Even half of what you have. If they only saw. They would say kinder things, surely.” The book will make tears fall out of your eyes silently as the deep ocean engulfs the bodies of thousands of refugees fleeing war and persecution. Some pages are without any words, and here the illustrations speak more powerfully than words ever could. Quietly, they will make your heart wail in silence due to the barbarity of what we call human beings. Humans, the greatest creation ever to be created, that cannot even feel the pain of its fellow beings. Every word, every illustration in this book will leave a deep mark on your heart. The demonstration of the transformation of a peaceful, crowded and bustling Homs into the city of death; no one could have written this better than Hosseini. No words could carve out such an impression on a heart other than his own. This book deserved to be written purely, with a heart that could feel the pain and emotions of thousands of homeless Syrians, Afghans, Somalis and Iraqis. Then who would be better than Hosseini to write it? After all, no one could feel the pain of a refugee better than a refugee himself. As he stated, “If I was a father on a moonlit beach about to take one of these journeys, you can bet that I would... say one of these prayers too.” Sea Prayer is about questioning your own self: what would you have done if you had to abandon your home and cross a deep sea on a cold night? How would you have reacted if you had lost your loved ones in the same sea? Imagine them dead. Imagine their fates being ended as a feast for the sea. Imagine the struggle of their last breaths before they were taken forever. Imagine them being washed up by the sea at the shore itself. How would you have felt? Imagine how a father would have felt to see his three-year-old like this? Hosseini leaves the grave questions for the mighty powers of the world to ponder through his short work of fiction!

Pakistan’s unique geostrategic location at the crossroads of East, South, West, and Central Asia enables it to function as the “Zipper of Eurasia”, as I wrote over half a decade ago in September 2015 for the Russian Institute of Strategic Studies. I built upon this observation in March 2019 to declare that the creative leveraging of the unprecedented trans-regional connectivity potential offered by CPEC enables Pakistan to become the Global Pivot State. This ambitious vision is finally beginning to take shape after Prime Minister Imran Khan and the Uzbekistani Minister of Transport agreed to pursue a trans-Afghan railway line on Wednesday. I previously proposed such a corridor in my April 2019 debut analysis for CGTN about how “CPEC+ Is The Key To Achieving Regional Integration Goals”, which described the northern branch of CPEC through Afghanistan into Central Asia as N-CPEC+ (“N” referring to North). Eventually, this corridor could expand as far northwards as Russia to create a new North-South integration axis across Eurasia which aligns with President Putin’s vision for the Greater Eurasian Partnership (GEP) like I explained in an academic article that I co-authored over the summer that was republished by the prestigious Russian International Affairs Council (RIAC). As Pakistan begins to take on a more prominent role in trans-Eurasian integration processes, its strategic importance to both China and Russia will continue to rise. Both Great Powers have a shared interest in the South Asian state fulfilling its destiny to unite the supercontinent through CPEC+. It’s only through this connectivity paradigm that a true Convergence of Civilisations can occur, like I explained in an analysis for CGTN in May 2019. The outcome of Eurasia’s diverse civilisations cooperating on trade and other forms of integration could powerfully discredit Huntington’s infamous prediction about a coming “Clash of Civilisations”. Russian, Chinese, and Pakistani interests are all directly served through N-CPEC+. Moscow’s regional allies can become more internally stable as their economies grow upon securing access to the global markets that this corridor provides through the Indian Ocean, as could Russia’s resource-rich Siberian region. Beijing, meanwhile, will see its Pakistani-based CPEC investments put to use as a springboard for trans-continental integration processes and could also secure contracts to construct parts of its northern branch expansion as well. As for Islamabad, it would financially benefit by having its ports facilitate Central Asian trade with the wider world. N-CPEC+ is therefore more than just a connectivity corridor, it’s a grand strategic concept for the future of intra-Eurasian relations in the emerging Multipolar World Order. Russia, China, and Pakistan are coming closer together as each country realises that they need the others in order to fulfill their shared vision of stability in the supercontinent. In fact, continued movement in this direction might even lead to the creation of a new multipolar trilateral between them to replace the stalled one between Russia-India-China (RIC). The end result could be that a Golden Ring rises between them, Iran, Turkey, and Azerbaijan in the Heartland of Eurasia. To be clear, this won’t happen overnight, but the progress that was just made on agreeing to the Peshawar-Kabul-Mazar-e-Sharif trans-Afghan railway shows that the political will is certainly present to take this vision to its ultimate conclusion with time. Some formidable obstacles still remain, however, such as the unresolved conflict in Afghanistan and the efforts of external powers like India to sabotage this vision. There are also obvious questions of financing and other issues related to project implementation, as well as identifying which companies in the region and beyond are most eager to immediately tap into this project upon its completion. Nevertheless, there are plenty of reasons to remain optimistic, especially since it’s becoming undeniable that Russia and China both appreciate the strategic significance of Pakistan’s N-CPEC+ initiative to their GEP and Belt & Road Initiative (BRI) respectively. In fact, as GEP and BRI continue to synergise their connectivity capabilities, their patron states are realising that N-CPEC+ is indispensable to the success of their joint vision for the supercontinent. This understanding is accelerating trilateral integration between them and therefore leading to one of the most exciting geopolitical developments of the 21st century thus far.

Veteran actor Sonali Bendre traced her emotional journey as a cancer patient in a video post, reported Hindustan Times. "Change is the only constant in life and how life has changed. It’s been almost two years. These two years have taught me many lessons. Gave me the patience to look for the light at the end of the tunnel. In this, I found my new normal and the strength to switch on the sunshine every day" she said. https://www.instagram.com/p/B8InQa5JMw2/?utm_source=ig_embed The actor concluded the message with a heartfelt message to cancer patients across the world. "The journey of knowing who I am reminds me that I am much more than this. For all of us going through this, let’s remind us that cancer doesn’t define us,” she said. Additionally, her video post was accompanied by a caption that urged the importance of early detection. “Note to self. P.S. For the rest of you, listen to your body and go for regular check ups, early detection helps! #WorldCancerDay,” the caption read. Have something to add to the story? Share in the comments below.

Having a good brand image is what every company strives for, Apple has been equally cautious of how its products are perceived on and off camera. According to Rian Johnson, director of Knives Out and The Last Jedi, the smartphone giant is against villains using iPhones. Apple mulls developing its own 5G antenna for 2020 iPhones “Apple... they let you use iPhones in movies but and this is very pivotal if you’re ever watching a mystery movie bad guys cannot have iPhones on camera,” the director said in a video interview with Vanity Fair. “Every single filmmaker that has a bad guy in their movie that’s supposed to be a secret wants to murder me right now,” said Johnson. This is not the first time that Apple has been rumoured to have controlled how its products are shown on TV and movies. Apple rolls out free repair for iPhone 6S devices A report by MacRumors, suggests that the company wants its products to only be seen in a positive manner “in the best light, in a manner or context that reflects favourably on the Apple products and on Apple Inc.” The company has also been hands-on with how its devices are depicted in its own streaming service. This article originally published on The Verge.

The new James Bond movie delayed. Studios scrapping film festivals. Blockbuster productions shut down. Hollywood is being rocked by the unprecedented challenge of the new coronavirus, insiders revealed this week. "I have never seen anything where this many films are going to be affected all at once," said Jeff Bock, senior analyst at Exhibitor Relations. "There are isolated incidents or tragedies that happen that might affect a certain film. But this really does infect all the industry from top to bottom." Industry estimates put the financial loss from Asian theatres already shuttered this year around $2 billion. Major Hollywood titles including Mulan, Disney's China-set live-action blockbuster, have been placed on hold in China. The last-minute global delay of 007 adventure No Time To Die, including its US and European releases, highlights the borderless impact of the virus. For now, US theatre attendances are holding steady despite fears of spreading infection and Mulan remains penned in for launch this month in North America. But new coronavirus outbreaks in California and New York, and multiple deaths in Washington state, could impact receipts. "We'll see a little bit of downturn this week, by the time Mulan comes out. If this breaks as big as it did in China, it's going to change the entire landscape," said Bock. Meanwhile, massive buyers including Netflix, Amazon and Apple have pulled out of the SXSW festival in Texas - an important marketplace for films. But the impact will not be restricted to major studios. Stephen Nemeth, who produced Fear and Loathing in Las Vegas (1998) starring Jonny Depp, has another Hunter S Thompson-themed film set to make its world premiere at the Austin festival. "We are forging ahead," he said. "We have a 1,100 seat theatre... that's a lot of seats to fill if there's only 25% capacity at the festival." 'Caution' More than 50,000 people have signed an online petition calling for SXSW to be cancelled. While organisers insist it is still going ahead, reports of further high-profile dropouts including Warner Bros and CNN have sown doubts. "I'm not anticipating a buyer because I think the buyers will be few and far between," said Nemeth, who thinks his film Freak Power is now more likely to sell via private screenings back in Hollywood. "I'm not certain that SXSW is still gonna happen," he added. Other film gatherings, including CinemaCon in Las Vegas and the Cannes Film Festival, are under scrutiny. Production has also been hit. A scheduled three-week shoot for the new Tom Cruise-starring Mission Impossible in Italy - one of the worst-affected countries - was stopped last month. Paramount moved the filming out of "an abundance of caution for the safety and well-being of our cast and crew." Netflix is looking for alternative locations to shoot a part of new Dwayne Johnson’s Red Notice that had been due to film in Italy. "What it's doing is testing location managers on being super nimble problem solvers," said Paul Dergarabedian, senior Comscore analyst, pointing out that production workers "are a tenacious and inventive bunch." 'Cripple' But the logistics of filming anywhere - especially productions that require hundreds of actors and extras - make it appear a risky proposition right now, said Nemeth. "I do not begrudge actors for not wanting to continue with a film," he said. "Every film is its own little village. Those are people all dining together, waiting in the same line at the same lunch truck. You have many, many, many people in a confined area." Any blockage in the relentless pipeline of film production could leave a dearth of films further ahead. "The longer that goes on, the fewer films that we get in the pipeline for 2021, 2022," said Bock. "This has the potential to really cripple the theatrical industry the longer it goes on."

With some of the most awaited releases of the year being shelved worldwide in the wake of the coronavirus pandemic, the year 2020 has been absolutely devastating for the international cinema industry. However, for a country like Pakistan which manically slates its biggest releases for Eidul Fitr, hoping to bank on the holiday crowd’s eagerness to splurge on movie tickets, the timing couldn’t have been worse. According to a leading film distributor Nadeem Mandviwala, the last two months in lockdown have broken the local cinema industry’s back and left little to be hopeful for. “Eid days are usually the most sought after dates for film releases in Pakistan, which is also when the local cinema industry makes most business. However, this year, the global coronavirus pandemic has postponed all releases slated for Eid, be it from Hollywood, Bollywood or Lollywood, which has left the cinema industry in dire straits,” he shared. Whereas on the other hand, the pandemic has also put a damper on the spirits of film enthusiasts and cinemagoers and left many feeling apprehensive about the big screen. “I am a huge Marvel fan and had been counting days till the release of the movie Black Widow, until it was postponed to November. However, I doubt the virus is going away anytime soon and I am not sure if it will be safe to go to a cinema in the coming months,” expressed Saira, a resident of Rawalpindi. Similarly, Ibrahim, a third-year engineering student from Islamabad believes that the government’s decision to close cinemas during the pandemic was a wise call to make amid current scenario. “I was actually quite looking forward to watching The Legend of Maula Jatt with my siblings this Eid, but even if the cinemas were open and the release wasn’t postponed I would have never gone considering how contagious the virus is. I think we should be responsible citizens and avoid all public gatherings until the government has found a way to deal with the disease.” However, speaking to The Express Tribune Mandviwala shared that shutting cinemas completely is not the logical answer to the pandemic. According to the distributor, cinemas in the country pay as much as Rs4, 000,000 in rent every month, for which expenses have to be met and movie tickets have to be sold. “Developing a digital computerized cinema costs between Rs20 million to Rs30 million and there is a lot of advanced machinery involved. If cinemas continue to remain shut over a prolonged period, there is a risk that lot of expensive equipment will be damaged due to non-usage. Who will cover our losses if something like that happens?” he questioned. “Even if the government allows screening films to a limited audience under its SOPs, the cinemas will still be incurring losses on account of utility payments, electricity charges and employee salaries. This is a huge industry and something better needs to be planned for it if it is to survive the age of coronavirus,” he asserted. Published in The Express Tribune, May 24th, 2020.

After films like 7 Din Muhabbat In, Project Ghazi and Parey Hut Love, Sheheryar Munawar has finally reverted to television with the drama serial Pehli Si Muhabbat. Returning to the small screen after six years, the actor unquestionably has fans and critics enraptured. However, he does not consider television to be the ‘smaller’ screen as paralleled to cinema, a thought he shared in recent, all-inclusive confab with BBC Asian Network’s Haroon Rashid. Speaking of his return to dramas, Munawar underlined the dissimilarities between projects made for television and the ones for cinemas. He also spoke about what it was like for him to return and how he initially struggled on set, as well as the ultimatums of a TV play in contrast to that of a film. The sudden shift from films to TV “In Pakistan, television is the strongest medium that we have. For an actor, it is a different medium so the kind of acting that you are supposed to do, the pace that you could have with your character, and a lot of other things, are completely different. That has a certain kind of excitement to it as well,” Munawar said of his career trajectory. “The thing with films is that when you pick up a project, it takes an entire year because you have pre-production, then shooting, then dubbing and promotions. I didn’t get to do it for a long time. When Covid happened and cinemas shut down, I was supposed to do two film projects and I turned around and said, you know it’s better to wait it out.” During the interview, host Rashid grilled the Ho Mann Jahan star about this sudden transition and why he selected Pehli Si Muhabbat for his big return. “I’m an actor; I have to keep acting,” replied Munawar. “I have to make content. I have to be in front of the camera or behind the camera but I have to be working. Part of being an actor is being able to adapt, adapting to situations. And the situation was such that for the next year, I knew it was going to be tougher for me thinking, ‘Okay, when is my film going to release’?” he said about the ongoing pandemic and the uncertainty that came along with it. “Honestly, I don’t see it like this is a smaller screen that is a bigger screen. The way I see it, it’s a different format of work. So why not? I wanted to keep working; I didn’t want to sit around.” ‘Pehli Si Mohabbat’ “You know obviously when I came on set, it wasn’t the frills and thrills that got me worried. It was more to do with the kind of acting,” Munawar began on how he initially struggled to catch the rhythm on the sets of his on-air drama, Pehli Si Mohabbat. The show also stars Maya Ali and fashion designer, Hassan Sheheryar Yasin (HSY). “I realised there is a slower pace on television. In films, we follow a different pace in terms of our delivery, even if it’s dialogue delivery. It needs to have that energy when you say the line and it has to be thak thak (on point),” the star said. “You have to keep moving. You only slow down when you actually want to slow down the story. With drama, I’ve seen a lot of the actors have a slower way of moving about things. Obviously, it’s a longer format so people like to elongate moments.” The 32-year-old actor, upon being questioned about this, mentioned how dramas differ around the world. Internationally, series are filmed for the OTT platforms ruling the digital industry. Whereas in Pakistan, they are made for people who sit in front of their TVs at certain times. “I feel like I’m sticking out because there’s a certain kind of rhythm that everybody is delivering their lines, there is a singsong-ness to the dialogue delivery. And you know, I’m not used to that. So with me and Maya’s character… both of us have brought in that kind of film training that we had. Let’s see. Fingers crossed!” https://www.youtube.com/watch?v=aFRGbOvC1ks&t=57s

British actor Riz Ahmed on Thursday launched an effort to improve the way Muslims are depicted in films after a study showed that they are barely seen and shown in a negative light when they do appear. Ahmed, the Sound of Metal star and the first Muslim to get a best actor Oscar nomination, said the Blueprint for Muslim Inclusion would include funding and mentoring for Muslim story tellers in the early stages of their careers. "The representation of Muslims on screen feeds the policies that get enacted, the people that get killed, the countries that get invaded," Ahmed said in a statement. "The data doesn't lie. This study shows us the scale of the problem in popular film, and its cost is measured in lost potential and lost lives," he added. Titled Missing and Maligned, the study by the Annenberg Inclusion Initiative found that less than 10% of top-grossing films released from 2017-2019 from the US, the UK, Australia and New Zealand featured at least one speaking Muslim character. When they did, they were shown as outsiders, or threatening, or subservient, the study showed. About one-third of Muslim characters were perpetrators of violence and more than half were targets of violence. "Muslims live all over the world, but film audiences only see a narrow portrait of this community, rather than viewing Muslims as they are: business owners, friends and neighbors whose presence is part of modern life," said Al-Baab Khan, one of the report's authors. Ahmed, 38, who was born in London to Pakistani parents, said that offering funding would be game changing in getting more Muslim actors, writer and producers into the film and TV business. "Had I not received a scholarship and also a private donation, I wouldn't have been able to attend drama school," he said. The $25,000 fellowships for young Muslim artists will be decided by an advisory committee that includes actors Mahershala Ali and Ramy Youssef and comedian Hasan Minhaj. Have something to add to the story? Share it in the comments below.

Netflix Inc (NFLX.O) on Tuesday rolled out its mobile games globally to members with Android devices, exploring new ground as competition stiffens on the video streaming pioneer's home turf. Users will only require a Netflix subscription to play those games and there will be no additional fees or in-app purchases, the company said. (https://bit.ly/3GJCBwp) Offering games for free to current subscribers echoes the strategy Netflix used when moving from a business of DVDs-by-mail to streaming movies. Its move into gaming was announced in July, as the company faced a sharp slowdown in new customers after years of rapid expansion, a pandemic-fueled boom in 2020 and searing competition from the likes of Disney+ and HBO Max. https://reut.rs/3mEjBY6 Netflix has already introduced its games like "Stranger Things: 1984", "Stranger Things 3: The Game", "Card Blast", "Teeter Up" and "Shooting Hoops" titles on Android to Netflix members in Spain, Italy and Poland. The streaming giant also bought video game creator Night School Studio in September and rolled out five mobile gaming titles in select European markets. (https://reut.rs/2Yd1X4q)

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